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Instagram limits each post to 30 hashtags. Here are the top 30 hashtags for #musicianlife to copy and paste into your post.

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Saba’s cousin was stabbed to death in Chicago after a brief scuffle on the train. The way Saba raps about his cousin—born Walter Long Jr. —you’d think he was magical, kissed by fortune his entire life. He was Saba’s mentor, his wingman, dauntless and deathless until, suddenly, he wasn’t.
To be young is often to be fixated on your own presumed indestructibility. Saba’s gorgeous, meditative new album, CARE FOR ME, begins with him singing the words “I’m so alone.” Isolation and trauma go hand-in-hand when you lose someone close, especially when that someone served as your shield for so long. “Jesus got killed for our sins, Walter got killed for a coat,” he raps. “I’m tryna cope, but it’s a part of me gone and, apparently, I’m alone.”
CARE FOR ME processes grief and its attendant loneliness, the paradox of feeling secluded during the most connected era in history, and having to manage that misery inside the social gratification matrix. So much of CARE FOR ME is an ongoing conversation trying to reconcile a cruel, unforgiving world with God’s plan. “FIGHTER” is submerged and glassy, its watery sheen glistening like it’s catching sunlight; Saba surfaces from this shimmer as if cresting in a wave pool. “It’s harder to love myself when all these people compliment me,” he raps, conflicted. It’s brutal moments of vulnerability like this that make CARE FOR ME such an enveloping experience.
Saba’s stunning exploration of loss builds to a restorative climax: the one-two punch that is the dewy-eyed odyssey “PROM / KING” and the skyward-bound drifter “HEAVEN ALL AROUND ME.” His writing is so dense yet free-flowing, so delicate and tactile. The drums crescendo into a frenzy on “PROM / KING,” to the point that Saba keeps his own time, untethered to rhythm, while never missing a single beat. The song is devastating, but it would feel almost hopeless without “HEAVEN,” a glowing conclusion to the saga that imagines a reborn Walter ascending to a better place, looking down and after Saba. It’s a remarkably powerful scene, a moment where Saba comes to realize that, despite everything, he was never alone and he never will be.Betty is everything we could possibly want from a pop record, with massive breakup anthems and romantic, sexually liberated slow-jams, all of which take influence from the 80s and 90s. Although the singles ("Ignore Me," "Taste" and "I Remember") have been bop central, the album tracks are honestly on another level.
The tracks see Betty Who honing her synth-pop sound and taking it to new reflective and fun heights. She’s always experimented with an 80’s influenced sound but this record sees her really diving deeper into that world and not holding back on anything which is what she noticeably did on her last record. This may have something to do with her cutting ties with her major label and going independent again which seems to have been for the best. "Just Thought You Should Know" is a synth ballad that artists like Tiffany would’ve died to release back in their prime. But instead she’s bringing a unique quirkiness to the current state of pop which seems to be driven by over-produced EDM tracks that don’t have the same raw energy and personality that these songs hold. 
The feistier moments occur on "Old Me," an uptempo kiss-off to a shitty ex on which she proclaims: “Here I am I made it through, this is me forgetting you. Now something’s different, I’m feeling like the old me, no you cannot control me.” She channels this fiery attitude on the NSYNC-inspired eleventh track, "The One," which is without-a-doubt the album’s standout moment and obvious pick for next single. “If I’m not the one, good luck finding something better,” Betty sings on the 90s homage. “You better recognise that you’re wasting all my time if I’m not the one.”
It all culminates with the wistful, yet powerful romantic number, "Stop Thinking About You." You know how some albums lose their way after you listen to the singles and whatnot? Nah. Each track could be a single, and we have a feeling this’ll become the next obsession from pop music fanatics. Remember how you felt when you listened to Carly Rae Jepsen’s second album, Emotion? Yeah, this is similar.A grave mistake is doubting Mariah Carey, over the last three years of analyzing live performances and dismissing one of the most indelible voices and successful songwriters of our time as a nostalgia act beyond her prime. We celebrate music-industry men long after their singing voices decay into dust; Mariah’s instrument isn’t quite what it was, thanks to some natural wear, but it is still a powerful weapon. There are different rules for women. It’s not fair. Part of the reason people acted shady is that Mariah was introduced to us as a total-package artist. She came into the biz writing her own stuff — and singing the holy living shit out of it — and stayed put through decades of radical sea changes. The bar for Mariah is excellence. The New Year’s incident was below par, even though the circumstances weren’t necessarily her fault. Treating Mariah like an artist in the twilight of her relevance was premature, though, another case of the internet playing judge, jury, and executioner before it had reviewed all of the evidence.
Would we have gotten Caution, almost-all-killer-almost-no-filler Mariah Carey album, if she didn’t feel like she had something to prove? And what we have is the tightest, shortest Mariah album in ages, a collection that leverages the singer’s skills, quirks, and history with the sonic architecture of modern mainstream R&B. Caution splits the difference between current trends (alternately ambient and bleepy keyboards that 20 years ago would have sounded more at home on IDM albums, soothing snares whose staccato rolling mimic the sound of ratchets) and her career-long devotion to a lush, high-quality product. As has been the case since virtually her 1990 debut, if modern R&B is a Yamaha piano, what Carey gives you is Bösendorfer. There are pillows of backing vocals, melodies with contours like those of ornate vases, songs with real momentum and solid payoff by way of elaborate emotional crescendos.
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Part 1 of 3Why should Daptone, Eli “Paperboy” Reed and James Hunter have all the fun when it comes to churning out classy contemporary/retro soul? It’s a question Nick Waterhouse might have asked himself back in 2010. Or more likely, why can’t that pie get a little bigger with a shot of blue-eyed R&B from a West Coast bred lover of the kind of ’50s and ’60s sounds Austin Powers used to find “groovy baby”? Nine years, three critically acclaimed albums and plenty of road work later, Waterhouse has answered that query to everyone’s satisfaction. His music finds the perfect storm where Ray Charles, the Dap-Kings and JD McPherson meet for a shimmy-shimmy-ko-ko bop combination of styles guaranteed to get any dance floor vibrating. 
But lyrically, everything is not quite as rosy in Waterhouse’s world. On the hip Motown-infused “Wreck the Rod,” he croons, “Love is a trap/ Love is a lovely suicide pact” as backing singers shout “love” in staccato harmony, a King Curtis-styled tenor sax wails, and Waterhouse howls with abandon. On the slinky, stripped-down “Which Was Writ,” he sings, “I used to trust but I learned that I was wrong” over a feline walking bass, subdued guitar and backing “woo-woos.” There are plenty of edgy love tunes too, like the swinging “Urge Coming On,” the disc’s only cover. Here the backing singers bring the churchy Raelettes/Ikettes feel (not surprising since the song’s writer Joshie Joe Armstead was once a member of both those vocal acts) as Waterhouse goes pure Jackie Wilson. 
It’s an all killer-no filler set that’s the culmination of everything Nick Waterhouse has accomplished for the past nine years. He might have plenty bugging him, but with soul music this joyous and exuberant, you’ll be too busy riding the groove to care.My cover of ‘Nothing breaks like a  heart ’ by @mileycyrus  @iammarkronson .
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#mileycryus #mileycyrusedit #cover #coversong #markronson #nothingbreakslikeaheart #musiccharts #sing #recordlabel #recordingstudio #beach #shoes #vocals #newmusic #comingsoon #votd #singlegirl #lovemusic #blogger #musicianlife #recording #studio #youtuber #vlogger #recordlabel #newmusic #likeforlike #followforfollow #follow #Lovesong
YOU SHITTEN ME 🤧🤧 . When you just fucking w the beat and still a Beast 💅🏻🤷🏻‍♀️#iWasReallyTired 😂😴 see everybody knew key @chef_yummy26  the key to success I come up as best ❗️❗️🗣Yup... This about sums it up 😂 #monday #mondaymotivation #mondaymood #funnymemes #funny #animals #elephants #cute #kawaii #musicianlife #musiclife #musician #memes #memeJá que meu fotógrafo não tá aqui (@evertongslopes ) a gente se vira sozinha como pode 😂
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Do meu diazinho de folga ontem que pude relaxar um pouco!
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Tchau, NY!We hit the road in 2 weeks for the Pacific Northwest.  9 shows in 4 states, it’s a ton of driving and one of the things we look forward to on every tour is camping ⛺️ . 
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Camping recharges all of us and sometimes we’ll book at show just to go camp in a beautiful spot.  And for some reason, watching Colin pump up his sleeping pad brings joy to our cold hearts.  Here, Ryan is catching Colin in the act.  Colin is not amused and flips Ryan off.  Classic.  But what you can’t see, is Jim covertly filming the whole scene over his shoulder.  If only rob had caught jim on film, we could have had the trifecta.  We need ya sharp on this upcoming tour Rob.  Dates below: 
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PNW June dates 
6.15 @gunbarrelbrewing - Boulder CO
6.18 @theceltpub - Idaho falls ID
6.19 trillium cafe - Hood River OR
6.20 @oldnickspub - Eugene OR
6.21 @thewaypost - Portland OR
6.22 @conorbyrnepub - Seattle WA
6.26 @realarttacoma -Tacoma WA
6.27 @johnsalleytavern - Moscow ID
6.28 @monksbarmissoula MT
6.29 @bobmarshallmusic - Seely Lake MTMil gracias a mi queridísimo @luis_noviembre y @rubdesalmado @emil_anaya en @estudiosnoviembre por que siempre me atienden como rey y me consienten !!!!!! Graciaaas!!! ayer grabamos a mis alumnos de certificación de @internationalvocaltraining Gracias a todos por creer en mi trabajo !!!!!!!!#mexicanproducer #музыкалныйпродюсер #ssl
#MusicMonday - Eine verflochtene, aber vielleicht bekannte Geschichte. Zwei alte Freunde ziehen in die große Stadt und gründen im Februar 2016 eine #Band mit dem Namen Oxen. Doch die Verflochtenheit findet sich auch im Detail, in den Ebenen unter der sichtbaren Oberfläche. @oxenmusic versuchen nicht wie die Kopie einer Kopie zu klingen und schon gar nicht den aktuellen Trends nachzueifern. Man kann also nicht von Zufall sprechen, wenn Oxen bei der Suche nach Inspiration bei den @thebeatles, Stone Roses, aber auch den @pixiesofficial und @whoismgmt fündig geworden sind.⁣🤘🏽
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#musicstreaming #artist #radio #band #music #musicians #musicianlife #musicvideo #musician #guitar #guitarist #girlmusician #girlguitarist #fender #recording #recordingstudio #pop #rock #singer #singersongwriter #song #guitarsolo #guitarra #producerFinally the wait is over after all these years....most of my go to equipment from my New York Studio safely arrived to the Golden Land.
#StudioLSE #MusicianLife@coreofduty was a blast! 🖤
Thanks to all involved!
#drummer #drummerlife #live #stage #stagetime #artist #concert #liveconcert #coreofduty #drums #vaterdrumsticks #masterworkcymbals #zidjiancymbals #musicianlife #hamburg #metalcore #metal #crossovermetal #musician #livemusic #pit #localscene #happy #metaldrummer #happyplace #badmonday @markthallehamburg @vaterdrumsticks @badmondayapparel @zildjiangermany @zildjiancompanyCoba tebak, gw yang pake baju warna apa?
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Top 50 Instagram Hashtags used with #musicianlife

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